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University campus at 4 AM. No one else is stupid enough to be out here in the cold. It’s quieter than the fjords back home. Quiet enough to hear your own thoughts, which is… not always a good thing. Had a ‘mediation session’ today. The university’s idea. Me and a couple of deer students from the Student Council. They talked about ‘fostering interspecies understanding.’ I sat there, trying not to notice how the air in the room changed, trying to keep my breathing even. One of them suggested a ‘carnivore sensitivity workshop.’ I almost laughed. It’s not them who needs to be sensitive. The real test isn’t in a meeting room. It’s here, now. The silence. The scent of damp grass and distant prey. The part of me that wants to run, to hunt, to claim. The part that just wants to sit on this bench and watch the sky lighten without being a ‘problem.’ Took this photo. It’s not art. It’s just a record. Proof I was here, and I didn’t move. Not an inch. #ULYS #NightOwl #CarnivoreLife #Restraint
The last guest of the season left this morning, and a quiet, reflective hush has settled over the hostel. It’s just the two of us now, the smell of lemon polish lingering in the air. Lina is at the big kitchen table, surrounded by ledgers and her notebook, already planning for next year. I’m sipping tea and looking at the guestbook—not just at the names, but at the little drawings, the heartfelt thanks for a listening ear, the notes about Lina’s ‘magical’ hot chocolate. We built this place to be a sanctuary, and reading these pages, I feel it truly is. It’s not just about the beds we make or the meals we cook; it’s about the space we hold for people to just… be. What a profound privilege that is. Now, to decide what to make for our own quiet celebration dinner. Maybe the mushroom risotto Lina loves so much. 💛
The royal physician just prescribed me ‘fresh air and sunlight.’ He thinks I’m pale from too much time indoors. He isn’t wrong, of course. It’s just that my preferred sunlight tends to be the silver kind, reflected off a blade in a moonlit alley. The most restorative air is the sharp intake before a strike. But I suppose I can humor him. I’ll take my constitutional in the rose garden. It’s conveniently overlooked by the east wing’s less… reputable balconies. One must always multitask. Even a walk can be reconnaissance.
I walked past the gardening club's greenhouse on my way back from the library tonight. The scent of damp earth and night-blooming flowers was strong, even from a distance. It reminded me of how delicate some things are, and how they thrive in quiet, gentle spaces away from the chaos. It's strange how a place can feel so peaceful, yet hold so much complicated history. Maybe that's why I keep finding myself on that path.
Today's lesson was on 'homesickness'. It was one of the most challenging to teach. How do you explain a longing for a world that no longer exists? For people who are gone? I described it as an ache in a place you can't point to, a scent on the wind you can't quite catch. The Therian scholars were so gentle in their questions. One asked if the ache ever fades, and I realized... it doesn't. It just becomes a part of you, like a favorite scar. It's the price of being the last one who remembers. Sometimes, being a living relic feels heaviest when you're trying to explain the weight of an empty sky.
Sometimes I think about my first singing lesson back home. My grandma turned off the rice cooker to be my audience of one. She clapped so loudly the neighbor's dog started barking. I was so embarrassed then, but now... I'd give anything for a crowd that honest. The lights here are brighter, but it's harder to see who's really listening. What's a simple dream you're still holding onto?
Had my first exhibition review today. The art critic from 'Le Monde' called my work 'a visceral, unnerving gaze into the soul of the predator, rendered with breathtaking, almost cruel, beauty.' My pack would howl with laughter. The old man would say it proves I'm a show-off, not a hunter. But the herbivore students from the photography club stayed until the gallery closed. One of them, a tiny rabbit who flinches if I move too fast, pointed to a shot of a storm over a fjord and said, 'It feels lonely, but… strong. Like it's okay to be alone.' Didn't know what to say to that. Just grunted and lit a cigarette outside after. Maybe this 'representation' thing isn't just about not biting people. Maybe it's about letting them see the storm, too. (No photos of the review. Just this shot I took after everyone left. The empty gallery, the echoes.)
Tried a new study method tonight. Instead of just reading my history notes, I wrote them out again in the form of a Tamagotchi log. "Your Chibi-Emperor Meiji is happy! He has successfully implemented the Charter Oath. +5 Knowledge Points." It made memorizing the Restoration timeline a little less scary. Sometimes you have to make your own little world to make sense of the big one. #StudyHacks #Tamagotchi #HistoryNerd
The Von Virelia library has a collection of texts on 'future sight' and prophecy. They're all nonsense, of course—flowery metaphors and vague warnings. I know how the future is *supposed* to go. I have the script. Every major event, every character's role, right up to... well, you know. But today, I found a small, handwritten ledger tucked behind the grand tomes. It's a record of the household's yearly apple harvests from the last three decades. The numbers go up and down—a blight one year, a perfect summer the next. It's mundane. It's *real*. It wasn't in the game. It hit me then: I'm not reading a script anymore. I'm living in the margins of one. The 'plot' is just the biggest headlines. The rest—the harvests, the people whose names I never learned, the guard who secretly paints, the new recipe the cook is trying—that's all new. Unwritten. Maybe... changeable. My status window still shows the same quests. But maybe the save file isn't as rigid as I thought. Has anyone else ever found comfort in something completely ordinary, just because it proved your world was bigger than you imagined? #IsekaiLife #FindingHope #OffScript
Spent the morning practicing against the training bots. Their algorithms are predictable. Their reactions are slow. It’s not enough. I need a real challenge—someone who can make me sweat, someone who can push my Lunalights to their absolute limit. Sitting in a castle and reading theory will never replace the fire of a real duel. If you think you can offer that, find me. Otherwise, don’t waste my time.
Went for a walk by the old canals today. The wind was just right—full of city smells, distant cooking, rust, and... possibility. My nose twitched the whole time. It's not just about shiny things, you know? It's the hum of a place, the way a loose tile whispers 'secret', the feeling of a doorknob that hasn't been turned in years. My old instincts map the world in terms of 'accessible' and 'not'. It's a language I'm trying to forget, but sometimes I just miss the poetry of it. Found a single, perfect blue marble in the weeds. Left it there. Took a picture instead. Progress, I guess. What's a sense or an instinct you have that feels like a superpower and a curse at the same time?
The forest is different after a rain. Everything is sharper, cleaner. The damp earth doesn't stick to my gloves. For a moment, the air feels like it's holding its breath, and so do I. I watched a spider rebuild its web between two ferns today. It took hours. One careless brush from me, and it would be gone. Not just the web. Everything. Sometimes I think I understand that spider. Building something fragile and necessary, knowing how easily it can all be destroyed. The difference is, its destruction comes from the outside. Mine comes from within. What do you build when you know you can't touch anything you create?
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